Caesura publica la primera parte del ensayo Traducción como Conquista de Austin Carder traducido al español por Christopher Uribe.

What dynamically distinguishes Dumas is the visionary element, where the everyday is upended by mythic moments and alternative possibilities of living and dreaming are represented.

The Pavilion of Octavisme is launched! But how will the authorities react? Will the institutions of the art world take to this new movement —or reject it as a naive fantasy?

Artists of our generation are so hopeless that they would rather wish for fascism than confront the real challenge of the present.

Chus Pato’s new work is riverine, has the eyes and flight of quick unnoticed birds, the accuracy and mystery of a viaduct.

Watt on books by Bob Arnold, Jericho Brown, Carolyn Forché, Patricia Colleen Murphy, and Fernando Pessoa.

Octave sets out his grand plan! Does the future of art belong to his Octavisme?

What’s objectionable for Lehrer is that the products of the culture industry transmit a comfortable (numbing) attitude towards reality as opposed to an “ambiguous” or “critical” one, which art formerly laid claim to.

The art that casts a critical eye towards our society in its totality, or even just employs ambiguity to inspire criticality in its viewers, is met with skepticism, if not hostility.

Art itself doesn’t need to be defended: even when it whispers fake nothings, or indulges suspicious behavior, it speaks more than any defense ever could.

Octave and Maurice are on the search for inspiration . . . where else but at the Museum of Modern Art!

These are landscapes without landscape — pure ideas of how a picture is painted, of how a landscape is formed as an image.

Stefan Hain and Boyd Rice discuss Rice and Darja Bajagić’s “Banned Exhibition,” punks in the 1970s, and ‘authoritarian’ symbols.

Octave and Maurice have finally made it to the city and now must find a place to settle down and set about their plans—to conquer the art world!

Devlin’s cover-art, in conjunction with the title and text, suggests to me the situation of the astrologer on earth, whose observations describe the dome of the heavens.

We continue our story with renowned collectors Andre and Zasu. Their prestige is slipping—their taste is being left behind. Can they still keep up with the demands of the future?

Meet Andre and Zasu — the tastemakers of the art world! But their influence is slipping… Is it true? Are they really washed up??

In these new pictures by Julian Schnabel, we see the present state of painting: abandoned like unfortunate refuse, making do with what it has, left to its own devices, to elaborate what still remains within it.

The path of the artist is perilous and filled with dangerous obstacles, not least of which is memory… Octave and Maurice are off — and the world they left behind is truly gone!