Harold Ancart and Suzan Frecon at David Zwirner
These are landscapes without landscape — pure ideas of how a picture is painted, of how a landscape is formed as an image.
Interview with Boyd Rice
Stefan Hain and Boyd Rice discuss Rice and Darja Bajagić’s “Banned Exhibition,” punks in the 1970s, and ‘authoritarian’ symbols.
On the Poetic Works of John Devlin, Part I
Devlin’s cover-art, in conjunction with the title and text, suggests to me the situation of the astrologer on earth, whose observations describe the dome of the heavens.
The Sad Lament of the Brave Review
In these new pictures by Julian Schnabel, we see the present state of painting: abandoned like unfortunate refuse, making do with what it has, left to its own devices, to elaborate what still remains within it.
Emily Post-Avant: Back by Popular Demand
The first time I read in workshop, I fainted and broke my nose when I fell.
Re-Materialization, Remoteness, and Reverence. A Critique of De-Materialization in Art
If objects — like that dead paintbrush — mean nothing but their functional definition, a human being might well be nothing more than a machine for destroying nature; love, a purely mechanical function.
Angel of Kindness, Have You Tasted Hate?: On Darja Bajagić
Though Bajagić’s work may not escape certain tropes of avant-gardist art, it manages to capture pockets of discomfort, images charged with ambivalent energy.
Notes on Safe Conceptualisms
Conpo replicates the cultural effluvia it poaches with little trace whatsoever, really, of any purposeful détournement.
The Worst of COVID Art
Art about or responding to the COVID pandemic may simply be destined to be bad, but some things truly stand out. Caesura chimes in on the worst.
Excerpt from Henry Miller’s Tropic of Capricorn, 1939
Mailer’s essay burns as a piece of literary criticism that clarifies the philosophical, aesthetic, and political motives of modern authors like Miller, who have gone the way of the dinosaur.