Criticism, Art, Essays, Constellations Steffen Andrae Criticism, Art, Essays, Constellations Steffen Andrae

Making Mute Relations Speak

If the forced collision of dramatic characters and public situations is understood as a metaphor for art, then according to Mailand / Innenhof, art’s role seems to be that of a troublemaker. However, the “theoretical and practical creation of situations,” which echoes a situationist self-understanding, doesn’t only target scientific or political events. It also aims at the so-called cultural sector, and thus at itself.

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Criticism, Art, Essays, Constellations Patrick Zapien Criticism, Art, Essays, Constellations Patrick Zapien

Terre Verte

…what goes beyond the performance as surplus action becomes the real content of the film, its driving purpose. The actors don’t only play a version of themselves in Olho da Rua, they act at their acting as well and in such a way that the indications of confidence or doubt that flash across their features are never so clear. Is the feeling theirs or another’s? Is it real or feigned for the camera? Do they themselves know?

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Criticism, Essays Patrick Zapien Criticism, Essays Patrick Zapien

Crisis of Criticism

Why is it that so much writing on art today — ostensibly criticism — only skates on the surface of artworks, providing description, identifying a handful subjects and themes, maybe some precedents, and then a conclusion — or rather, an ending. The writing stops.

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Criticism, Essays Patrick Zapien Criticism, Essays Patrick Zapien

Sense and Non-Sense

The main problem that the artist encounters at work — the source of all their woes and triumphs — is that materials must be transformed: made to give what they cannot. Appearance is the mask of the true face beneath.

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Criticism, Reflections, Reviews Patrick Zapien Criticism, Reflections, Reviews Patrick Zapien

“With eyes like ripening fruit”: Manoucher Yektai at Karma

It’s not true that the world is ending — if anything, it already has. And yet life continues, alive in its death. These thoughts — speculations — give a perfunctory account of the work of the late painter and poet Manoucher Yektai, a member of the New York School whose first solo show in the city since 1984 opened at Karma two weeks ago.

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