Poetry: Billie Chernicoff
Beautiful and mysterious in the extreme, Chernicoff’s poems are messages from the borderline offered as testimony to the thrilling precariousness of our spiritual adventure.
RIP Trump Art
Artists of our generation are so hopeless that they would rather wish for fascism than confront the real challenge of the present.
Art’s Moral Fetish
The art that casts a critical eye towards our society in its totality, or even just employs ambiguity to inspire criticality in its viewers, is met with skepticism, if not hostility.
Notes on Jon Rafman’s Dream Journal
Art itself doesn’t need to be defended: even when it whispers fake nothings, or indulges suspicious behavior, it speaks more than any defense ever could.
Re-Materialization, Remoteness, and Reverence. A Critique of De-Materialization in Art
If objects — like that dead paintbrush — mean nothing but their functional definition, a human being might well be nothing more than a machine for destroying nature; love, a purely mechanical function.
A New Channel: David Lynch’s Weather Reports
David Lynch has an impeccable ability to generate an attuned viewer. His Weather Reports show that he can do so in less than a minute. Even more than that, they illustrate the extent to which Lynch is a devout practitioner of art.
What does it mean to be critical?
When people today criticize the leaders of the American Revolution they only project their own narrowness and narcissism onto the conditions of the past. Had the American Revolution been defeated, in 1776 or in 1865, there would be no critique of present freedom possible today and no hope for any greater freedom in the future.
Staring at the Sun: Arthur Jafa’s “Love is the Message”
Jafa’s omnipotent sun of tradition is there to remind us that what is considered freedom now is merely the allowance we are given to be a controlled emanation of society as it exists.
Negrophilia and The Black Square
Nobody is going to remember blackout Tuesday. That wasn’t the point. It wasn’t even really an experience, and we won’t learn anything from it.
Critique of Revolutionary Art: Trotsky, Benjamin, Adorno, and Greenberg
Modernist art for Trotsky could not be considered a new culture but rather an expression of the task and demand for transcending bourgeois society and culture.