Patrick Zapien will present a lecture on Theodor Adorno’s “Draft Introduction” to Aesthetic Theory. The lecture will focus on the dialectic of freedom in art, its historical crisis, and how that crisis appears as the enigmatic essence of art in modernity.

In his writings on cultural objects, Adorno self-consciously employed a prismatic and monadological method. The idea was to approach each cultural object as a monad, as a self-contained entity that, if viewed properly, could prismatically illuminate the character of the social totality. This essay seeks to apply a similar method to a work by Donald Judd: Untitled (1967).

For moderns, art is the appearance of suffering from the unrealized potential of freedom, i.e., the appearance of freedom’s task.

Trakl is a main character in Adorno’s important concept of the enigmatical.