RIP Trump Art
Artists of our generation are so hopeless that they would rather wish for fascism than confront the real challenge of the present.
A Response to Adam Lehrer’s “Art’s Moral Fetish”
What’s objectionable for Lehrer is that the products of the culture industry transmit a comfortable (numbing) attitude towards reality as opposed to an “ambiguous” or “critical” one, which art formerly laid claim to.
Art’s Moral Fetish
The art that casts a critical eye towards our society in its totality, or even just employs ambiguity to inspire criticality in its viewers, is met with skepticism, if not hostility.
Notes on Jon Rafman’s Dream Journal
Art itself doesn’t need to be defended: even when it whispers fake nothings, or indulges suspicious behavior, it speaks more than any defense ever could.