The Legacy of Political Music: A Conversation with Frederic Rzewski
Jim Igor Kallenberg interviewed the late Frederic Rzewski.
When the Critics Saw
A work of art has never graced the cover of the journal October. Since the first issue was published in 1976, the front cover has only ever carried the journal’s allusive title, spelled out in large capitalised letters underneath the smaller italicised headings of ‘art’, ‘theory’, ‘criticism’ and ‘politics’ (in that order).
Review: Art After Stonewall, 1969-1989
Gay and lesbian artists would be best served by curators and gallery-goers taking their work seriously as art, and rejecting the sexualized promotional copy which today passes for queer aesthetics.