Death, fear, action, and Tiny Tim: a fascinating glimpse into the mind of a madman awaits our heroes!

Gluck is on the run! Renaissance festivals offer many opportunities to hide, especially right under someone’s nose. When that nose belongs to Gluck, the last place you’d look is far away indeed!

An 1891 interview with Mallarmé, translated from the French by poet Cid Corman.

S.C. Rooge revels in his evil plot to put the dead to work. How does he do it, and what will Zuggy and Kathy do about it? Read on to find out!

A glimpse into Gluck’s mind raises this question: ahead of his time, or just a jerk? Will a crowd of peasants enjoy his juggling, or will his misanthropic mouth get in the way?

Ollie sends in the Ecto Squad to clean out the ghouls. It could take a while, but worry not! There will be plenty to stimulate and inform with no danger of tepid uneventfulness!

Huzzah! Gluck sings for an eager audience…maybe a bit too eager. Don’t be fooled: peasants may not be smart, but they are capricious!

S. C. Rooge, under increasingly powerful anesthesia, remembers and reveals his descent into black magick technology. Zuggy and Kathy: you got a big storm coming!

It was all a bullfight in the end—/The smell of death contends/With rain, and more blood than/We can measure or imagine is/Surrounded by spinning black/Umbrellas—

The festivities begin as Gluck himself is introduced! Who is he? WHAT is he? The less-than-happy crowd eagerly awaits…and boy are they in for a shock!

Is interactivity really the same freedom that art is supposed to help us access?

Zuggy and Kathy’s host has a dark and disturbing childhood full of trauma. Not inflicted on him: but inflicted BY him!

The High Renaissance in the Low Countries, when Spanish troops patrolled peasant villages and settled disputes with force. At the opening of the Carnival, a masked miscreant stirs up trouble. His defense? Well, it’s certainly impassioned!

Charles Ray is unquestionably one of the most powerful and challenging sculptors alive. His recent works presented at the Met carry within them a subtle and expansive understanding of space, a boundless wit and delicacy, and a deep sense of history.

Zuggy and Kathy’s mechanism is working and they dive deep into their host’s mind. What secrets will come to light when they look into his angry past?

Has it been forgotten that Narcissus & Echo is a love story?

Adam Elkhadem (with Kearin Cook on inks) returns with a brand new comic about the good old days: the 16th-century! In this prelude to the weekly strip, a very special guest introduces the basic conceit of the series…the most special guest of all: GOD!

Zuggy and Kathy hook up their machine, Ollie wins a bet, and contraptions whirr to life. Will Zuggy and Kathy get the answers they seek, or will this night prove fruitless and forlorn?

After Effect — James Turrell’s latest “Wedgework” (recently presented by Pace) — takes up this question of the imaginary dimensions of time and space and their relationship to perception, memory, and thought.

This idea that vital imaginative material might be found in the plainest, basest, least developed reaches of art’s irreducible building blocks is among the most promising suppositions to be found in artistic thinking today.